James Newman - retro interview, circa 2006
To help launch this blog, I am turning to none other than my pal, James Newman,who is probably the nicest guy in horror I know. But don't let that fool you - there's nightmares to be had in that there southern charm.
To steal the bio from his website:
I'm a writer of horror and suspense. I live in the beautiful Blue Ridge Mountains of western North Carolina with my soulmate, Glenda, and our two sons, Jamie and Jacob.
My published works include the novels Midnight Rain, The Wicked, Animosity, the short-story collection People Are Strange, and the novellas The Forum, Olden, Revenge Flick!, and fan favorite Holy Rollers.
To steal the bio from his website:
I'm a writer of horror and suspense. I live in the beautiful Blue Ridge Mountains of western North Carolina with my soulmate, Glenda, and our two sons, Jamie and Jacob.
My published works include the novels Midnight Rain, The Wicked, Animosity, the short-story collection People Are Strange, and the novellas The Forum, Olden, Revenge Flick!, and fan favorite Holy Rollers.
When I'm not writing or playing around on the Internet when I should
be writing (don't tell Glenda!), I enjoy reading, watching movies,
listening to blues and loud rock n' roll, and taking in some theater now
and then. I'm also a die-hard college basketball fanatic.
And without further ado, here is the interview, originally published in the 2006 fall issue of Insidious Reflections. Please forgive any formatting inconsistencies you may come across as I'm still getting the hang of this thing :}.
James Newman really irks me
off. Seriously, he can't seem to stop
letting me down. I mean, I've read a
respectable chunk of the man's work, a great deal of which is downright nasty
stuff. Incidentally, I kept going back
for more. Every time James and I crossed
paths I expected this brooding, acid-tongued bad ass son of a bitch. I expected him to cast his sweet southern charm
upon me and lead me by the hand to some dark and miserable place where pain and
suffering are the only items on the menu.
However, time and time again I'm let down because I'm always so shocked
to find the most kind and generous guy who usually rubs off as shy and humble
to a fault. But don't let his kind demeanor
fool you. James Newman will impress upon
you his kindness and charm just as naturally as he'll have you gripping your
pillow in the throes of a Newman sponsored night terror while you shiver with
fright. And since his books were sufficiently keeping me up at night anyways, I
figured I might as well use the extra time for picking at his brain and
chancing a peek inside.
Richard Hipson - Thanks for finding the time to sit down with the
likes of me today. If you’ve got your
drink of choice in front of you and your CD of choice in the stereo, why don’t
we kick things off by having you fill us all in on what you’ve been up to over
the past several months and what you’re currently work on?
James Newman – The last few
months I've been working on a couple things.
First and foremost, I've been finishing up a collaboration with Jason
Brannon that White Noise Press will be publishing later this summer -- a
novelette called THE CHURCH OF DEAD LANGUAGES.
I also recently began work on my new novel, which is shaping up to be a
fun one so far . . . possibly the most fun novel I've ever written. I'm having a blast with it so far.
RH- So if all goes as
planned, what can we expect from you by the end of this year?
JN - 2006 is shaping up to
be a really busy year for me. Lots of
cool stuff coming out! As I mentioned,
THE CHURCH OF DEAD LANGUAGES will be out this summer, and there are also plans
for another chapbook to be released from Nocturne Press, a collection of my
really whacked-out, sorta humorous horror stories called PEOPLE ARE
STRANGE. And then there's the one I'm
most excited about -- my novel THE WICKED will finally see publication this
summer, in a killer limited hardcover edition from Necessary Evil Press. Good times.
RH - James, you have a number of books out there that are the result
of some duel collaborations such as Love Bites with Don Gash that you were kind
enough to send me, along with Night of The Loving Dead with James Futch, and
Riverside Blues with Eric Tomblin, among others. Is it a deliberate desire you have to mix and
play in the creative minds of your peer, or is it just something that you
happen to fall into as a result of like minds being drawn together?
JN - Just so there's no misunderstanding, RIVERSIDE BLUES isn't a
collaboration -- I just wrote the Foreword for that one (and I was damn honored
to do it, as Erik's novella is one of the best debuts I've read in years, a
really creepy piece o' Southern Gothic that impressed the hell outta me to say
the least). To answer your question,
though, I love to collaborate. It helps
if you're good friends with your co-writer before you begin, of course, as well
as a fan of his work, but I've been lucky to have found the best of both worlds
so far. Donn Gash and I have been best
friends since we were fifteen or so, and of course his work blows me away. As for Jason, I was a big fan of his stuff
before we ever became pals.
But yeah . . . getting back to
your question . . . I think that old saying "two heads are better than
one" is certainly relevant when it comes to writing collaborations. I know these guys have brought out the best
in me, and it's always challenging to try to keep up with writers I
admire. If nothing else, it makes for a
really fun ride, and if you've got that you're already on the road to a
successful story right out of the gates.
RH - It must be a bit of a challenge to keep your co-written tales
flowing smoothly to the point where readers don’t notice the passing of pens,
so to speak. I had a hard time telling
the difference - and believe me I tried! – but how do you ensure that the duel
pens stay a true and consistent voice throughout so that a reader can’t
suddenly shout out, “Hey! This is where
James stopped writing and his pal begins!”
JN - I don't know how other writers do it, but I think the reason the
collaborations I've been involved with have worked so well -- as far as, like
you said, merging together so smoothly -- is the process itself. Basically, someone will start off the
project, then send it to his co-writer.
The other guy then takes what's already been written, tinkers with it
just enough to add his own $.02 to it, and then writes the next part. Back to the other writer it goes, and so on
and so forth. By the time you get to the
end, and do those final revisions, it’s very much a "gelling" of two
voices. That's worked for my co-writers
and me so far, anyway . . . .
As much fun as it's been, I do
think I'm gonna step away from the collaborations for a while after I finish up
THE CHURCH OF DEAD LANGUAGES with Jason.
Not that it hasn't been fun - I've enjoyed each project immensely, and
had more fun than writing should ever be! - but I need to change things up a
bit for at least the next year or two.
Don't wanna become known as the guy who does nothing but chapbooks with
other writers, can't carry his own gig, ya know. LOL
RH - Who is left out there that you’d like to try co-writing with
should you try that approach again in the future?
JN - Simon Wood and I have talked about doing something together, at
some point. I'm a big fan of his
work. Also, Jeff Strand and I will
definitely be unleashing something on an unsuspecting world at some point. You know that'll be wild. Donn Gash and I do have a few unfinished
stories lying around that will see the light of day in the future, but I'm not
sure when that will be. Of course, I
would love to work with Brian Keene one day.
But he can leave the groupies at home (just kidding, Brian!).
RH - A collaboration with you and Jeff Strand has me smiling wide
already with visions of scantily clad dead chics, terrorizing a nice college
town.
JN - Hahaha . . . well, I guarantee you when it happens -- and it WILL
-- you're in for one of the most bizarre stories you've ever read. I'll leave you with this, for now: A country-music loving redneck, with wrinkled
brown skin. An eighteen-wheeler named
"Big Mama." And the death of a
child in a strange little town called "Suicide Cove."
RH - That does sound delicious and wicked!
James,
I think it’s very safe to say that you are much more than “just” an
author. You are also a working class
taxpayer, a husband, and a father. How
the heck do you juggle the many hats that you wear while continuing to rock out
those killer stories that we fans so love to gobble up?
JN - It ain't easy, bud. At
all. And if I told you that I write
every single day, I'd be lying. Hell, if
I told you I write every OTHER day, I'd be full of shit. You just grab any free time you can, when you
get home from the day job, gobbled down dinner with the family, helped your son
with his homework. If I can throw down
just 500 or 1000 words after all that, then I feel I've accomplished
SOMETHING. Because gradually, those
words add up to stories. Those stories
add up to books.
Now, if we could just work on the
pay. Heh
I need a raise.
RH - Despite your many chapbooks, novellas and short stories in
circulation, the only full length novel you have out at this moment is Midnight
Rain. I absolutely loved the chance to
get to know your characters over the long haul as you force them to grow and
evolved with the incredible, and often terrifying, situations that you cast
them in. When can we expect to see
another full length novel pour out of that head of yours and onto a
bookshelf? Tomorrow, right? *Laughs*
JN - From your mouth to God's ears, my friend. I appreciate that.
RH - Okay, you're gonna make ME blush!
JN - Well . . . I don't have anything new to report as far as
mass-market deals right now, but I am proud to say that THE WICKED is finally
gonna see publication. That'll be a
limited hardcover edition from Necessary Evil Press, as I mentioned
earlier. Should be out by August or
September at the very latest, I'm guessing.
And then it looks like I've sold my next one, although that's not 100%
set in stone yet so I don't wanna say TOO much . .
JN - Awesome, man. I look
forward to hearing what you think! Where
MIDNIGHT RAIN was a coming-of-age thriller, THE WICKED is a straight-up
supernatural horror tale. Fun stuff.
RH - Let’s switch up the pace with a few silly, but fun short answered
questions, shall we?
Now,
we all know what a kind hearted, generous guy you are, but for argument’s sake,
let’s say you get sent straight to hell anyways. Some would argue that hell is living in
absolute repetition of the very things that you hate the most, like never
ending re-runs of General Hospital, for example. But you’re smarter than that and somehow
manage to trick the devil and end up being able to choose your damned destiny,
to a certain degree. If you had to pick
one book, and one book only, to read for eternity, would that book be?
JN - So this is a book I love?
RH - Can be any book you choose.
JN - Oh, that's easy . . . BOY'S LIFE by Robert R. McCammon. My favorite novel of all time, and the only
book to ever make me cry. My God, what a
masterpiece. My wife and I both re-read
it once every couple of years, and never get sick of it.
RH - I happen to have that book in my large TBR pile...Perhaps it's
time I bumped it up a few notches
JN - Do it. For me. Now!
You will NOT be disappointed, my friend.
I promise. If you enjoyed
MIDNIGHT RAIN, which you've told me you did, then BOY'S LIFE is gonna blow you
away . . . .
RH - I will! For you!
JN - Awesome. And I'll agree
to do an interview for you sometime.
(doh!)
RH - You're a man after my own heart, you is.
What
movie would you choose to watch for eternity?
JN - If I had to pick just ONE, regardless of genre, I guess it would
have to be LEON: THE PROFESSIONAL. Man,
I love that flick.
RH - Cartoon?
JN - Probably THE PRINCE OF EGYPT.
Dug that one a lot.
RH - And which CD would you choose to have spinning in the devil’s
player for all your soul burning pleasure?
JN - Well, just so happens that'd be AC/DC's
HIGHWAY TO HELL. Could anything be more
perfect for the scenario at hand?
RH - Hell no! Even Satan would
wanna rock out with ya to Angus and the guys!
JN - Favorite song of all time:
"Walk All Over You."
RH - Nice pick!
And
if you miraculously found a loophole in the system (there’s always a loop hole,
right?), and you were able to come back as any living creature, what would you
come back as, and why?
JN - You're gonna hate me. I'm
coming up with nothing clever whatsoever for that one. LOL
RH - Hehe GOTCHA!
JN - Yep. haha
RH - And moving right along…If you could come back as any super hero,
which one would you come back as, and why?
JN - Batman! I'm the biggest
Batman nerd you've ever met. He has no
superhuman powers, which I think makes him even more interesting. He's dark and brooding, which of course
appeals to the horror-lovin' side of me.
And by day he's a millionaire playboy.
What's not to like?
RH - I'd agree, you could do far worse than to be
Batman. Thanks for playing along,
James! There'll be a quiz for your fans
on Monday.
JN - Haha -- awesome. I like
SpiderMan too, but he's a nerd by day.
And I'm already that. So I'll
pass.
RH - Fair enough!
I
know you’re a man who still very much in touch with the big at the core of your
heart and that you haven’t stopped loving your old time rock n’ roll and horror
movie romps. Your pal Brian Keene has
told me that he is in part a product of a media driven generation and thus his
work is quite influenced by that fact.
What’s your take on the influence that the media has on your mindset
when you get set to hammer out the Newman nugget?
JN - Well, as you know I'm a huge movie buff. Particularly horror movies. I can't get enough of 'em. And I think that shows in my work. When I write, I picture the story as a movie
in my head, and that's what I want to get down on paper. I think Stephen King called it "skull
cinema." Every image, every scene,
every character, I see on a big movie screen in my mind. Not sure if this answers your question the
way you wanted it answered, but hopefully that explains what a big influence
movies are on my prose.
RH - That answers it perfectly, bud.
I’m under the
impression that you don’t currently use an agent, is that right?
JN - No. I'm not at the point
in my career where I can afford to give someone 15% of what I make. Haha
RH - Do you see that changing as your success grows?
JN - I'm honestly not sure.
I'm not actively pursuing agents at this time, but I won't say that one
day I wouldn't choose to have one. I've
heard many writers say they are very necessary, but just as many have found
success without an agent. One day, I'll
probably go down that road. It's just
not for me right now.
For one thing, I
think any agent worth his salt would like to have writers much more prolific
than me in his or her stable!
RH - I'm sure it goes both ways.
Your pal, Brian Keene, doesn't have an agent so maybe it's not even
about how prolific you are, but how it fits with your goals, eh?
JN - I really think so. Every
writer has his own agenda, and plans for the future. It varies from person to person. Frankly, I've never had the slightest desire
to have an agent . . . then again, like I said, that doesn't mean I won't have
an agent ONE day.
RH - As an aside, personally I'd much rather give you my money for
entertaining me than some agent who had no part in your creative process
Now I sure hope
this next question doesn’t come across smelling like old cheese, but I think
anyone who knows anything about you would agree that you must be one of the
most humble and generous guys in the horror bizz. Seriously, I’ve looked deep and long into the
messages you’ve posted on-line, chats we’ve had and everything in between and
I’ve yet to find an egotistical trait in you.
I’ve even asked around, but no dice.
Either that or you’ve greased many a palm, though I have my doubts about
that.
JN - Yeah, the greased palm thing is definitely out, 'cause I'm po'
white trash (LOL). But seriously . . . I
just try to be a nice guy, ya know? I
try to treat people the way I want them to treat me, and -- how do I say this
-- promote my work, when it comes to online networking, in the way that I enjoy
seeing others promote. Not by beating
you over the head with the fact that he or she has a new book on the market,
not by spamming every message board in existence and always making every post
about MEMEME, but just being a decent person.
That goes a long way in my book.
It's the way I was raised, it's the way I'm raising my son, and it's the
way I want people to think of me. Sounds
like you think I've succeeded. And I
appreciate that, my friend.
My good buddy,
Markus Euringer, recently accused, "Newman's whole humble pie thing is an
act. Don't believe it for a
second." But I swear it's not.
RH - I wouldn't doubt that at all.
Nobody is that good of an actor and not making movies. Unless you happen to have some adult stuff
I'm unaware of?
JN - John Holmes, eat your heart out.
RH - Um...I won't ask for a copy of THAT one!
I think you have
succeeded by the very principle of your thinking. Seems like just a cool way to go about
living, if you ask me.
JN - Thanks, buddy. The Golden
Rule and all that. It's worked for
me. So many people turn me off ever
wanting to read their work -- and maybe I'm missing out on some fantastic work,
but so be it -- simply because of the way they treat other people. Snarky message-board posts, just being loud,
obnoxious, opinionated assholes.
Why? What do you have to
gain? Just be good to people. That's my motto.
RH - On that note, I recall you mentioning that as talented of a
writer as you are and with as much support as you have from friends and fans
alike, there have been moments of skepticism that have eaten away at you to the
point of making you question your ability to write well and impress your fans
and publishers. Number one, where do you
think this self doubt comes from and number two, how do you see your way
through it so that you can keep on doing what you do so well – keeping readers
up at night and happily letting you tug at their emotions as if you had a hand
deep in their guts?
JN - I don't know, man. I've
always been like that, in everything I do.
Pretty pathetic, huh? I tend to
suffer from all-too-frequents periods of self-doubt that will keep me from
writing anything for weeks, sometimes months at a time. I wish I knew why, 'cause I can't tell you
how many fine folks have told me I need to get over that shit for good.
As far as
getting through it -- honestly, it usually comes from the compliments and the
support of my readers. Maybe, in that
respect, I'm a very needy, dependent person.
Always counting on that reaffirmation to keep me going. Because once that starts rolling in, it fires
me up. I go through writing streaks like
nothing I've ever experienced before.
Incredible highs that feel like they'll never end. Hell . . . maybe it's some kind of bi-polar
thing. I don't know.
RH - Well I think we're all pretty damn thankful that they don't last
forever.
JN - Thanks, man. They
don't. Thank God! I just have to get over myself, and sooner or
later I'll get back in the groove.
RH - How confident werehttp://www.blogger.com/blogger.g?blogID=6335662343832230766#editor/target=post;postID=3178324721699484003 you when you sold your first novel, Midnight
Rain? Did you know that you had just
created your first salable piece of work or were you totally shocked when you
got the call? Take us through that time
in your life if you would, when you finished writing it and when, finally, you
got the acceptance from Leisure.
JN - I always enjoy telling this story . . . .
RH - Excellent!
JN - When I was about halfway through the first draft of MIDNIGHT
RAIN, a buddy who knew a couple people in the publishing business told me that
Leisure were getting ready to start a new "Thriller" line in addition
to their popular "Horror" line.
I had told him a bit about 'RAIN, and he thought it'd be a perfect fit
for Leisure. I agreed, but I remember
telling him, "Yeah, but I'm a nobody and this nobody's book ain't even
finished!" He suggested that I send
Leisure a query anyway, asking if they'd like to see the novel when it was
done. I did. Leisure got back to me in record time, asking
to see the finished manuscript. A few
months later, I finally turned it into them.
A few months after that, I came home to a pile of mail on the
dining-room table. Didn't pay it much
attention at first, 'cause I assumed it was all junk-mail. But then, when I started thumbing through it,
I saw the envelope from Leisure. I remember
yelling into the other room to my wife, "Well, here it is, babe! My rejection from Leisure!" But when I opened the envelope, I soon saw
that it wasn't a rejection And, of
course, I nearly hit the floor.
Definitely a great evening, and one of the highlights of my writing
career so far . . . . as if I have to tell you.
RH - Guess we both have a lot of thanks to give to that friend of
yours.
JN - Well, he turned out to be sorta a goober, but I do thank him for
that. LOL (for the heads-up, I mean, not for turning
out to be a goober)
RH - Gotcha!
JN - Oh, and special thanks to Jenny Orosel, too -- your readers will
know her as the writer of several kick-ass essays in the last couple issues of
IR. Jenny is one of my closest friends
in the world, and she was also there that evening. She was a very important part of my giving
Leisure a shot, and also the number one reason I finished MIDNIGHT RAIN in the
first place. She wouldn't let me quit,
no matter what.
RH - That's it....Jenny, we now sentence you to never leaving us!
.
Have you noticed
any major changes in your writing ways since you pounded out that first salable
piece in comparison to what you are currently writing by way of schedule,
style, or otherwise?
JN - Oh, God, yes! Hopefully
I've improved!
I think -- and
I've had others agree, friends and family who don't just blow smoke but give me
the honest, constructive criticism they know I always want from them -- that
the thing I've come the farthest with is my dialogue. I think I've most improved in that area. At one time, I thought my dialogue was my
biggest weakness. These days, if I may
say so, I think it's my strongest. I'd
like to think I've grown leaps and bounds in that area. I have so much fun writing dialogue these
days, and I hope it shows! (you've read
ANIMOSITY, so you know what I'm talking about)
RH - I sure do know what you're talking about. Animosity took my emotions through the
wringer and I think a big part of that was the way you had the main characters
interacting and speaking with each other.
JN - Thanks, bro. I definitely
think ANIMOSITY is some of the best stuff I've ever written, and I can't wait
for folks to see it. I'm stoked to know
that they will, and soon . . .
I don't think
I've asked you (if I may): Which did you
like more? 'RAIN or ANIMOSITY? Just out of curiosity . . . .
RH - Damn, now that's a tough question....
JN - Ha! Turning it around on
you.
RH - Truthfully...I think Animosity....As much as I dug the hell out
of Rain, Animosity was just so much more powerful. Maybe the fact that it is much shorter and
therefore moves at a greater speed had a part to play in how it got to me, but
yeah, Animosity has been my favourate round of Newman thus far.
JN - Woohoo!
RH - I feel very lucky and honored to say that I am one of the few
chosen to have read a copy your newest Novel, Animosity. I put up a review of
this on a few message boards and the boards went just crazy with all the good
sentiments and excitement that this project wrought from your fan base. At the
time I made the boards crazy with news of the best story I have read of yours
so far, it had yet to be picked up by a publisher. Can you fill us inquiring
minds in on the status of Animosity now?
JN - Wow! That's a lot to live
up to (LOL). I appreciate it, man. Yeah, ANIMOSITY will definitely be published,
although not in the mass-market. But it
is very close to being a done deal (or will most likely already be, by the time
this issue of IR goes to press). I'm in
talks with a wonderful publisher who have some really kick-ass things planned
for this novel. I'll give you a hint,
but this is all I can say for now: Said
publisher IS one I have worked with before.
And if
everything goes as planned, you'll see the book around this time next
year. I can't wait!
RH - You're such a tease!
JN - Hahaha . . . .
RH - Is there any advice that you’ve gotten that you still use to your
success today?
JN - Never give up. Don't let
rejection get you down. Because, if you
do, you'll give up long before you have a chance to get ANYWHERE in this
business. Rejection is a part of the
writing game, and it will always be -- even after you've had a taste of
success, it still happens. You've got to
keep on keepin' on, never let the bastards get you down, and you've got to WANT
it. You've got to want it so bad you'll
let NOTHING get in your way. That's what
I did.
More advice, as
if I know what the hell I'm talking about (and this is something I stand by to
this day, best piece of advice I think I can give those just starting out,
'cause it's always worked for me):
Always think
about the FLOW of your writing. Know
that old saying "Less is More?"
Truer words were never spoken.
Trim the needless fat. Trim it
mercilessly. Trim stuff you LIKE,
even. Make it hurt. Read your work aloud, to catch clunky
passages and sentences that don't flow smoothly. Not to mention awkward, unrealistic
dialogue. The best thing you can do, if
you want to make it in this business, is to read your work aloud before you start
submitting it to publishers. Because, I
promise, you'll find then that it's not quite as ready to go out into the world
as you thought it was. Polish, polish,
polish. I can't stress this enough: It's all about THE FLOW.
Did I mention
it's all about the flow?
I usually cut
somewhere around 1500-2000 words of every 6000 I write, in the final editing
stages. No shit.
Make it flowwww,
baby. Fluid.
RH - To your suggestions, I cut about 300 or so words from a piece I
wrote of about 2000 words and I must say, it does flow a lot smoother without
all the extra crap that was there before
JN - Right on -- doesn't it just seem so much tighter, so much leaner
n' meaner?
RH - It does....I read somewhere about Stephen King saying that you
have to learn to kill your children. It
does hurt, but I think a final draft demands it.
JN - Absolutely. I mean, I've
cut PLENTY of stuff in my final drafts that I LOVED. That I thought was so damn clever or
"cute." That should be the
first stuff to go. Get rid of it. If it draws attention to itself, and you --
the WRITER -- appear in the story, you've just broken the cardinal rule of
writing. The writer should never appear
in the story. The reader should forget
he's reading, just like you lose yourself in a good movie. Total immersion. That's what I strive for, anyway.
RH - Any advice that you think is bullshit?
JN - Sorry, can't really think of an answer for that one . . . .
RH - I guess that's a good thing, eh?
JN - Ha! True! Of course, I'll think of something 20 minutes
from now, smack myself.
RH - Is there anything that I've left out, something that we didn't
cover that you had hoped to?
JN - No, I think that just about covers it. Watch for THE WICKED, THE CHURCH OF DEAD
LANGUAGES, and PEOPLE ARE STRANGE this summer.
I also have it on good authority that HOLY ROLLERS may briefly come back
from the dead in the next year or so.
But that's all I can say about that for now. Till then, everyone should keep reading
INSIDIOUS REFLECTIONS. It'll make your
penis grow. (Unless you're woman, then .
. . never mind.)
RH - I keep waiting for that to happen, but I'm told I'm a slow
learner
JN - Hahahahaah
RH - Thanks a heap for spending all this time with us tonight,
James. I truly appreciate it. And in the words of Bonn Scott, if you want
blood, we've got it! His name is James
Newman, and how sweet the blood of his craft is.
JN - Niiiice. Thanks again for
having me. I had a blast! We'll definitely have to do it again
sometime.
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